Era 1 · 1975–1982
Proto-cyberpunk
the term exists before the label
- 1975
John Brunner, The Shockwave Rider
Coins predicts computer viruses, networks, data havens, the Delphi pool. Also Brunner's Stand on Zanzibar (1968) for the pop-collage prose technique.
- 1976
Richard Dawkins, The Selfish Gene
Coins Necessary for any later discussion of viral culture and information propagation.
- 1977
Foucault, Discipline and Punish
(English). The as the model of modern power. All surveillance discourse descends from it.
- 1977
H.R. Giger, Necronomicon
(US ed.). Biomechanical aesthetic. Alien (1979) brings it to mass audience.
- 1977
V. Vale, Search & Destroy
(punk zine, SF, 1977–79). Precursor to (1980 onward).
- 1977
Kraftwerk, Trans-Europe Express
Suicide s/t; Throbbing Gristle.
- 1977
The 1977 trinity
Apple II, Commodore PET, TRS-80. Computing enters the home.
- 1978
Omni magazine launches
(Oct 1978; Kathy Keeton and Bob Guccione, Penthouse). Glossy, futurist, science + SF + pseudoscience side by side. Published Gibson's "Johnny Mnemonic" (1981) and "Burning Chrome" (1982). Also an early H.R. Giger showcase. Omni is what "a forward-facing tech magazine" looked like in 1978 — study it closely.
- 1978
The Normal, "Warm Leatherette"
A J.G. Ballard Crash adaptation as synth single. The Ballard→music pipeline in one record.
- 1978
Yellow Magic Orchestra
Debut. Japan's techno-pop; Solid State Survivor (1979).
- 1979
Ridley Scott, Alien
(film). Also Stalker (1979, Tarkovsky).
- 1979
Church of the SubGenius founded
(Ivan Stang, Philo Drummond, Dr. X; first pamphlet Dallas 1979). Parody religion as collage-art pranksterism, "Bob" Dobbs, Direct ancestor of the 80s zine aesthetic and of Wired's weirder register. Also: Book of the SubGenius (1983).
- 1979
Gary Numan, Replicas / The Pleasure Principle
("Are 'Friends' Electric?", "Cars"). The man-machine alienation single.
- 1980
Bruce Bethke writes the short story "Cyberpunk"
(published Amazing Stories, 1983). Coined as a title, later adopted as a genre label.
- 1980
RE/Search
Begins publication (V. Vale, Andrea Juno).
- 1980
Usenet
Established (Truscott & Ellis, 1980).
- 1981
Vernor Vinge, True Names
First fully fleshed-out in fiction. Predates Gibson's coinage by a year.
- 1981
MTV launches
(Aug 1, 1981). Music video as a visual grammar for the decade; the movement's aesthetic spreads through it.
- 1981
Jean Baudrillard, Simulacra and Simulation
Simulacra, hyperreality. Later famously on-screen in The Matrix.
- 1981
Processed World
Situationist anti-work zine about office technology and the "temp" economy. The labor critique of the cyber future.
- 1981
Kraftwerk, Computer World
(May 1981). The pivot record.
- 1981
Laurie Anderson, "O Superman."
Performance/tech art crossover.
- 1982
Interzone
(UK SF magazine, 1982–) — where the British wing of the genre published.
- 1982
William Gibson, "Burning Chrome," Omni
Also "the sprawl" is seeded here.
- 1982
Blade Runner
(June 1982). — and the one most responsible for the retro re-hash problem. Note that its actual concerns (replicant personhood, memory, what counts as a person) are AI concerns, not chrome concerns.
- 1982
Tron
(July 1982). First mass visual of "inside the computer."
- 1982
Factsheet Five
Launched (1982, Mike Gunderloy) — the zine-review network. The discovery layer of the pre-web underground.
- 1982
Katsuhiro Otomo, Akira
(manga begins 1982).
- 1982
Afrika Bambaataa, "Planet Rock."
Kraftwerk + TR-808 → hip-hop and electro. The machine-music lineage forks.
- 1982
Cybotron, "Clear" / Enter
(Juan Atkins, Rik Davis). Detroit techno's origin point — and it's literally named cyber.